 photo by: Aurelia Thompson |
Critical Acclaim
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Biography
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"Aneta's voice is in fine form: It's flexibility moved easily through the coloratura of Mozart's Alleluia even at a brisk tempo."
- Sun Newspaper's 2022-
"Aneta Augustyn sings Mimì so beautifully and tragically. She brings pathos and purity to this role with a voice that can easily rise to the big climaxes and yet spin effortlessly to break your heart."
-The Lister Review-
“Aneta Augustyn sparkled as Tamino's love interest, Pamina. She brought poise, stature and poignancy to the role. With her sumptuous tone, Augustyn navigated with ease both the tenderness of her duet with Papageno and the palpable despair in her aria "Ach, ich fühls."
- The Links Review-
“Augustyn is a statuesque beauty with a charming manner, and her voice is large and gleaming. She possesses a strong technique that enables her to go high either soft and ethereally or loud with power, and the voice is even from top to bottom."
-Grunion Gazette-
“Augustyn’s Rosalinda dominated the stage, both as a hypocritical housewife and as an aria-singing Hungarian
countess.”
-Daily 49er-
- Sun Newspaper's 2022-
"Aneta Augustyn sings Mimì so beautifully and tragically. She brings pathos and purity to this role with a voice that can easily rise to the big climaxes and yet spin effortlessly to break your heart."
-The Lister Review-
“Aneta Augustyn sparkled as Tamino's love interest, Pamina. She brought poise, stature and poignancy to the role. With her sumptuous tone, Augustyn navigated with ease both the tenderness of her duet with Papageno and the palpable despair in her aria "Ach, ich fühls."
- The Links Review-
“Augustyn is a statuesque beauty with a charming manner, and her voice is large and gleaming. She possesses a strong technique that enables her to go high either soft and ethereally or loud with power, and the voice is even from top to bottom."
-Grunion Gazette-
“Augustyn’s Rosalinda dominated the stage, both as a hypocritical housewife and as an aria-singing Hungarian
countess.”
-Daily 49er-